Afro Roots Fest: Afro-Cuban Convening returns to Gainesville April 5 and 6

FOR IMMEDIATE RELEASE

The two-day event features Orisa, rumba, and Abakua concerts, short films, and master workshops with Lazaro Galarraga, Roman Diaz, Sandy Perez, Barbarito Ramos, Angel Guerrero, and Chief Ivor Miller

Gainesville, FL – March 12, 2024 – Afro Roots Fest returns to North Florida on Friday, April 5 and Saturday, April 6, 2024 for a two-day convening, which includes concerts, dance and drum workshops, short music documentaries, and a dance party. Tickets are available at bit.ly/ARF2024Gainesville. This year’s gathering will focus on the lineage and migration of the religious tradition known as Abakua from Calabar, Nigeria to Cuba, which gave rise to the rumba, one of Cuba’s principal musical traditions.

The first day will feature events at the University of Florida School of School of Music (130 Music Building) and the Greater Gainesville International Center (1314 S. Main Street, Gainesville, FL 32601), followed by a dance party at Depot Village (404 SE 2nd St, Gainesville, FL 32601). Activities will include Afro-Latin movie shorts about Cuba and Brazil followed by a lecture and discussion, a master African dance and drum, Afro-Cuban percussion with a focus on clave, sekere, bells, congas, and bata, and a master Orisa and rumba dance workshop.

The next evening, the Odara Afro Cuban Allstars will perform two concerts at the Hippodrome Theatre (25 SE 2nd Pl, Gainesville, FL 32601). The first show at 7 p.m. presents Orisa and rumba, and the second show at 9 p.m. will focus on the Abakua traditions. Featured artists include a group of Afro-Cuban masters and scholars: Lazaro GalarragaRoman DiazSandy Perez, Barbarito RamosAngel Guerrero, and Chief Ivor Miller. The event will also include a film screening of the documentary “Roman Diaz – Como el Agua” by Onel Mulet, which offers an intimate look at the renowned Cuban master drummer and jazz musician.

A teacher, performing artist, actor, writer, choreographer, and mentor, Galarraga has dedicated his life to his love of Afro-Cuban music, culture, and folklore. Master percussionist, scholar, and composer Diaz is regarded as a “living repository” of Afro-Cuban music. After a 12-year stint with the group with Afrocuba de Matanzas, Perez is now one of the best-known and most talented percussionists from the Matanzas province.

A member of Los Munequitos de Matanzas, Ramos is a colorful master Orisa and rumba dancer. Guerrero is an important Abakua chanter from Pogolotti, Havana. Miller is a scholar focused on Cuban cultural history with a focus on Lukumi-Yoruba initiation systems of Ocha and Ifa (Santería) in Cuban society. Together they will deliver an unforgettable night of music, history, and tradition at the Hippodrome. Additional artists to be featured.

Originating in 1999, the Afro Roots Fest has been noted as one of the “10 Best Music Festivals in Miami” by the Miami New Times in 2017 and crowned the “Best Music Festival” in the 2019 “Best of Miami” issue. Past performers have included African music icons Amadou & MariamFatoumata DiawaraSalif KeitaVieux Farka Toure, and Sun Ra Arkestra, among many others. In 2018, the event became a traveling Florida festival presenting concerts in Jupiter, Miami Beach, Miami, Gainesville, and the Florida Keys. 

This program is presented with the generous support of City of GainesvilleUniversity of Florida Center for Arts Migration and Entrepreneurship (CAME), Florida Department of State, Division of Arts and Culture, the Greater Gainesville International Center, the UF Center for Latin American Studies, the School of Theatre + DanceSchool of Music, and the College of the Arts. Sponsored in part by Visit Gainesville – Alachua County, FL.

For more information, visit AfroRootsFest.com.

###

MEDIA CONTACT
Mut Communications
Michael Mut
786.426.2277
info@mutcomm.com


Afro Roots Fest returns to Gainesville for a two-day Afro-Cuban convening

FOR IMMEDIATE RELEASE

Free, all-ages concert at Bo Diddley Plaza follows a full day of song, dance, and drum workshops, and a lecture / artist panel at the University of Florida

Gainesville, FL – March 14, 2023 – The long-running, award-winning Afro Roots Fest is coming back to North Florida on Friday, April 7 and Saturday, April 8, 2023 for a two-day convening that includes workshops, lectures, and a free, family-friendly concert. The first day, clinical component is a ticketed event at the University of Florida School of Theater and Dance (1800 McCarty Drive Gainesville, FL 32603). The next evening, a concert takes place at Bo Diddley Plaza (111 E University Ave, Gainesville, FL 32601) featuring Jacaré Brazil, the UF Afropop Ensemble with special guest Titos Sompa, and the Odara Conjunto Folklorico beginning at 7 p.m.

“We’re thrilled to continue developing this relationship that we have with the University of Florida School of the Arts,” says Jose Elias, founder and executive director for presenting organization Community Arts and Culture. “This will be the first time the festival incorporates a more academic approach to our presentations. The caliber of artists that are participating in this program is unprecedented. We look forward to continuing to make this an annual destination event in Gainesville.”

Workshops and lectures include “Songs in Lukumi for Eleggua and Yemaya”, Afro-Cuban Dance classes like Rumba and Orisa for Yemaya, an all-levels percussion class that focus on guiro and bembe, a lecture about the sacred Bata, and an all-cast artist panel with a Q&A. Florida residents can enjoy a 50% discount on tickets by using the promo code “FloridaResident” and presenting a valid Florida ID on the day of event. Preregistration is required – there will be no options to pay for the workshops on the day of. Attendees should allow extra time to park on site and check in, which begin 30 minutes before class.

Jacaré Brazil provides a unique interpretation of Brazilian music through its usage and mixture of various Brazilian instrumental musical genres and rhythms such as the choro, waltz, maxixe, samba-choro, and bossa-jazz. The distinctive blend of musical instruments such as the violin, mandolin, saxophone, guitar, pandeiro (Brazilian tambourine), and voices create nostalgic sentiments with colorful and brilliant textures. Its repertoire celebrates and reminds us of Brazil’s rich music scenario, and is a vibrant part of the World Music and Graduate Program in Ethnomusicology at UF.

Founded in 2021, UF’s African Popular Music Ensemble specializes in the popular music of the African continent, with a special focus on Afrobeat, highlife, soukous, and African jazz. The ensemble, directed by Sarah Politz and Kenneth Metzker – both Affiliate Faculty in the Center for Arts Migration and Entrepreneurship – features students from the School of Music, musicians from the Gainesville community, and selected guest artists. Sompa, the colorful master dancer, choreographer, drummer, and healer was born in Brazzaville, Congo. He founded the band Les Echos Noir, which he still tours with, and is widely credited as a champion of the distinctive Congolese sound.

Odara Conjunto Folklorico is an all-star group comprised of all of of the individuals leading workshops on Friday: Yudisleidy Valdes, dancer, Ernesto El GatoGatell, vocals, Roman Diaz, percussion, Sandy Perez, percussion, and Alain Fernandez, vocals. Afro-Cuban music fans can expect an explosive performance of traditional Yoruba chants and rhythms, mixed in with Latin jazz and a fusion of other world music influences.

Originating in 1999 at the now defunct Miami live music venue Tobacco Road, the Afro Roots Fest has become one of the area’s longest-running music festivals. Named one of the “10 Best Music Festivals in Miami” by the Miami New Times in 2017, it was crowned the “Best Music Festival” in the 2019 “Best of Miami” issue. Past performers have included Sun Ra Arkestra, Alsarah, Fatoumata Diawara, Fulu Miziki, Salif Keita, Vieux Farka Toure, Toubab Krewe, and Roberto Torres, among many others.

Since 2018, the event has become a nomadic affair that now includes separate concerts in markets such as Gainesville, Jupiter, Doral, Hollywood, Islamorada, and Key West. 

Tickets for the workshop day are available online at bit.ly/ARFG2023. Funded in part by Visit Gainesville, Alachua County.

For more information, visit AfroRootsFest.com.

###

ABOUT COMMUNITY ARTS & CULTURE

Incorporated in September 2002, Community Arts and Culture, Inc. is a Miami-based nonprofit organization that fosters an appreciation and understanding of a vast assortment of arts and cultures through workshops, lectures, and artistic performances in local communities for individuals of all ages and social backgrounds. The organization is celebrating 20 years of serving the community in 2022. Their signature event, Afro Roots Fest, is embarking on its 25th season of programming. For more information, please visit CACMiami.org.

MEDIA CONTACT
Mut Communications
Michael Mut
786.426.2277
info@mutcomm.com


Afro Roots Fest Debuts in Gainesville with Three Days of Performances and Workshops

FOR IMMEDIATE RELEASE

Jomion and the Uklos along with student groups play the Bo Diddley Plaza Friday, April 8, then Weedie Braimah & the Hands of Time, Cortadito and others perform at Heartwood Stage Saturday, April 9

March 21, 2022 – Gainesville, FL – The award-winning Afro Roots Fest, a multi-county and multi-event concert series organized by Miami-based non-profit organization Community Arts and Culture (CAC), is coming to Gainesville for the first time in its 24-year history. Co-presented with the Center for Arts Migration and Entrepreneurship (CAME) at the University of Florida College of the Arts, the performances will run over two days at two different locations and a series of free workshops will occur over three days. Workshops and Day 1 of the concert schedule are free and open to the public of all ages.

“Afro Roots Fest has always strived to celebrate the evolution of African music and culture in our South Florida communities,” says CAC Founder and Executive Director Jose Elias. “This year and thanks to our friends at the University of Florida’s College of the Arts, we have expanded our mission into North Florida, and we couldn’t be more grateful.” Elias is a composer, musician, and producer, and leads the Cuban folk group Cortadito.

First up on Friday, April 8 at the Bo Diddley Plaza (111 E University Ave, Gainesville, FL 32601), Jomion and the Uklos from Benin, West Africa headlines a concert that will also showcase some of the university’s best and brightest Afro-centric talent, the UF Afro Pop Ensemble, and the Pazeni Sauti Africa Choir. The show begins at 7 p.m. and is free and open to all ages.  


The following night, Weedie Braimah & Hands of Time (Ghana), Cortadito (Cuba), and Maca Reggae Samba (Brazil) will appear the Heartwood Soundstage (619 S Main St, Gainesville, FL 32601) in what promises to be an evening of Afro Roots music from two separate continents and the Caribbean. Pre-show tickets are $20 and available online at bit.ly/ARFG2022; admission will be $25 at the door. All ages are welcome.   

A djembe virtuoso, composer, producer, and folklorist of the highest caliber, Weedie has an almost insatiable knack to draw entire audiences into his groove, zigzagging through Africa on a breathtaking rhythmic roller coaster. Braimah’s musical career spans more than 30 years, and he comes from a long lineage of drummers including his mother, Ann Morris, a respected jazz drummer and his father, Oscar Sulley Braimah, a world-renowned composer, and master drummer. 

Cortadito’s focus is on performing the traditional Cuban music of the early 20th century. From son montunoguarachabolerosnengon, to bolero son, this dynamic ensemble brings the listener back to a time when Trio Matamoros, or Ignacio Piniero ruled the Cuban music world. From time to time, Cortadito is backed by a variety of guest musicians, which gives the group a sound reminiscent of the Buena Vista Social Club. Cortadito was named “Best Latin Act” by the Miami New Times in 2019.

Created in Salvador, Bahia and after twelve years of playing the Brazilian scene, Maca Reggae Samba is influenced by Jamaican reggae with the purest expressions of samba, a Brazilian rhythm created by African descendants of the Portuguese colony, Brazil. With this new work, a new rhythm is born: reggae samba, offering the public a new expressive possibility where the only rule is nobody can stand still. This rhythm brings movement not only to the stage, but to the public as well, lots of dancing.

Jomion and The Uklos is a family band from Benin, West Africa, led by Samuel Jomion” Gnonlonfoun, founder of the internationally renowned Gangbé Brass Band. With his brothers JB and Mathieu, and his daughter Rose, Jomion combines traditional rhythms and songs from vodoun (voodoo) culture with reggae, salsa and jazz to create vibrant, relaxed dance music he named Whedo-vodoo-jazz (W.V.J). 

Founded in 2021, UF’s African Popular Music Ensemble specializes in the popular music of the African continent, with a special focus on Afrobeat, highlife, soukous, and African jazz. The ensemble, directed by Sarah Politz and Kenneth Metzker both Affiliate Faculty in the CAME, features students from the School of Music, musicians from the Gainesville community, and selected guest artists.


Pazeni Sauti is UF’s only Africa Choir that learns and performs songs from all parts of Africa. It was established to spread awareness and appreciation of diverse African cultures through choral music.

The full workshop lineup, which is free and open to all ages, is as follows:  

Thursday, April 7

University of Florida College of the Arts, School of Music

435 Newell Drive, Gainesville, FL 32611, Music Building 101

Afropop Technology with Kingsley Okyere – 12:50 p.m.

Jomion and the Uklos – 1:55 p.m.

Friday, April 8

University of Florida College of the Arts, School of Music

435 Newell Drive, Gainesville, FL 32611, Music Building 120

Weedie Braimah – 11:45 a.m.

Saturday, April 9

The Depot Village

111 SE 4th Ave, Gainesville, FL 32601

Hands-on Brazilian percussion – 11:00 a.m.

Brazilian drumming – 12:15 p.m.

West African dance – 1:30 p.m.

Afro-centric Youth Workshop – 2:30 p.m.

Full concert lineup:  

Friday, April 8

Bo Diddley Plaza

111 E University Ave, Gainesville, FL 32601

Lineup: 

Jomion and the Uklos

UF Afro Pop Ensemble

Pazeni Sauti Africa Choir 

Saturday, April 9

Heartwood Soundstage

619 S Main St, Gainesville, FL 32601

Tickets: bit.ly/ARFG2022

Lineup: 

Weedie Braimah & Hands of Time

Cortadito

Maca Reggae Samba

Additional concerts are planned for Jupiter, Doral, Miami Beach, Homestead, Key West, Hollywood and Islamorada. These events are being produced in part through the generosity of the Florida Division of Cultural Affairs, the City of Gainesville, the UF Center for Latin American Studies, the UF College of the Arts, the UF School of Music, UF CAME, the UF Center for African Studies, Heartwood Soundstage, and Depot Village. 

For more information and the full festival lineup, please visit AfroRootsFest.com

###

ABOUT COMMUNITY ARTS & CULTURE

Incorporated in September 2002, Community Arts and Culture, Inc. (CAC) is a Miami-based non-profit organization that fosters an appreciation and understanding of a vast assortment of arts and cultures through workshops, lectures, and artistic performances in local communities for individuals of all ages and social backgrounds.

For more information, please visit CommunityArtsandCulture.org

ABOUT CAME and UF

The Center for Arts, Migration, and Entrepreneurship (CAME) at the University of Florida College of the Arts launched in the fall of 2020 and we work to connect networks of scholars, artists, creatives, entrepreneurs, and advocates to the engines of creative and cultural economics at the heart of migration.  


CAME defines the arts as all forms of cultural production, the center seeks to effectively create new models and power alignments that return value entrepreneurship to cultural producers to build more just global futures. Through community-responsive programming, research, and creative production, the center facilitates and extends the innovation, resilience, and ingenuity of diasporic and migratory communities.  


For more information, please visit arts.ufl.edu/came.

MEDIA CONTACT
Mut Communications
Michael Mut
786.426.2277
info@mutcomm.com