FOR IMMEDIATE RELEASE
Jomion and the Uklos along with student groups play the Bo Diddley Plaza Friday, April 8, then Weedie Braimah & the Hands of Time, Cortadito and others perform at Heartwood Stage Saturday, April 9
March 21, 2022 – Gainesville, FL – The award-winning Afro Roots Fest, a multi-county and multi-event concert series organized by Miami-based non-profit organization Community Arts and Culture (CAC), is coming to Gainesville for the first time in its 24-year history. Co-presented with the Center for Arts Migration and Entrepreneurship (CAME) at the University of Florida College of the Arts, the performances will run over two days at two different locations and a series of free workshops will occur over three days. Workshops and Day 1 of the concert schedule are free and open to the public of all ages.
“Afro Roots Fest has always strived to celebrate the evolution of African music and culture in our South Florida communities,” says CAC Founder and Executive Director Jose Elias. “This year and thanks to our friends at the University of Florida’s College of the Arts, we have expanded our mission into North Florida, and we couldn’t be more grateful.” Elias is a composer, musician, and producer, and leads the Cuban folk group Cortadito.
First up on Friday, April 8 at the Bo Diddley Plaza (111 E University Ave, Gainesville, FL 32601), Jomion and the Uklos from Benin, West Africa headlines a concert that will also showcase some of the university’s best and brightest Afro-centric talent, the UF Afro Pop Ensemble, and the Pazeni Sauti Africa Choir. The show begins at 7 p.m. and is free and open to all ages.
The following night, Weedie Braimah & Hands of Time (Ghana), Cortadito (Cuba), and Maca Reggae Samba (Brazil) will appear the Heartwood Soundstage (619 S Main St, Gainesville, FL 32601) in what promises to be an evening of Afro Roots music from two separate continents and the Caribbean. Pre-show tickets are $20 and available online at bit.ly/ARFG2022; admission will be $25 at the door. All ages are welcome.
A djembe virtuoso, composer, producer, and folklorist of the highest caliber, Weedie has an almost insatiable knack to draw entire audiences into his groove, zigzagging through Africa on a breathtaking rhythmic roller coaster. Braimah’s musical career spans more than 30 years, and he comes from a long lineage of drummers including his mother, Ann Morris, a respected jazz drummer and his father, Oscar Sulley Braimah, a world-renowned composer, and master drummer.
Cortadito’s focus is on performing the traditional Cuban music of the early 20th century. From son montuno, guaracha, boleros, nengon, to bolero son, this dynamic ensemble brings the listener back to a time when Trio Matamoros, or Ignacio Piniero ruled the Cuban music world. From time to time, Cortadito is backed by a variety of guest musicians, which gives the group a sound reminiscent of the Buena Vista Social Club. Cortadito was named “Best Latin Act” by the Miami New Times in 2019.
Created in Salvador, Bahia and after twelve years of playing the Brazilian scene, Maca Reggae Samba is influenced by Jamaican reggae with the purest expressions of samba, a Brazilian rhythm created by African descendants of the Portuguese colony, Brazil. With this new work, a new rhythm is born: reggae samba, offering the public a new expressive possibility where the only rule is nobody can stand still. This rhythm brings movement not only to the stage, but to the public as well, lots of dancing.
Jomion and The Uklos is a family band from Benin, West Africa, led by Samuel “Jomion” Gnonlonfoun, founder of the internationally renowned Gangbé Brass Band. With his brothers JB and Mathieu, and his daughter Rose, Jomion combines traditional rhythms and songs from vodoun (voodoo) culture with reggae, salsa and jazz to create vibrant, relaxed dance music he named Whedo-vodoo-jazz (W.V.J).
Founded in 2021, UF’s African Popular Music Ensemble specializes in the popular music of the African continent, with a special focus on Afrobeat, highlife, soukous, and African jazz. The ensemble, directed by Sarah Politz and Kenneth Metzker both Affiliate Faculty in the CAME, features students from the School of Music, musicians from the Gainesville community, and selected guest artists.
Pazeni Sauti is UF’s only Africa Choir that learns and performs songs from all parts of Africa. It was established to spread awareness and appreciation of diverse African cultures through choral music.
The full workshop lineup, which is free and open to all ages, is as follows:
Thursday, April 7
University of Florida College of the Arts, School of Music
435 Newell Drive, Gainesville, FL 32611, Music Building 101
Afropop Technology with Kingsley Okyere – 12:50 p.m.
Jomion and the Uklos – 1:55 p.m.
Friday, April 8
University of Florida College of the Arts, School of Music
435 Newell Drive, Gainesville, FL 32611, Music Building 120
Weedie Braimah – 11:45 a.m.
Saturday, April 9
The Depot Village
111 SE 4th Ave, Gainesville, FL 32601
Hands-on Brazilian percussion – 11:00 a.m.
Brazilian drumming – 12:15 p.m.
West African dance – 1:30 p.m.
Afro-centric Youth Workshop – 2:30 p.m.
Full concert lineup:
Friday, April 8
Bo Diddley Plaza
111 E University Ave, Gainesville, FL 32601
Lineup:
Jomion and the Uklos
UF Afro Pop Ensemble
Pazeni Sauti Africa Choir
Saturday, April 9
Heartwood Soundstage
619 S Main St, Gainesville, FL 32601
Tickets: bit.ly/ARFG2022
Lineup:
Weedie Braimah & Hands of Time
Cortadito
Maca Reggae Samba
Additional concerts are planned for Jupiter, Doral, Miami Beach, Homestead, Key West, Hollywood and Islamorada. These events are being produced in part through the generosity of the Florida Division of Cultural Affairs, the City of Gainesville, the UF Center for Latin American Studies, the UF College of the Arts, the UF School of Music, UF CAME, the UF Center for African Studies, Heartwood Soundstage, and Depot Village.
For more information and the full festival lineup, please visit AfroRootsFest.com.
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ABOUT COMMUNITY ARTS & CULTURE
Incorporated in September 2002, Community Arts and Culture, Inc. (CAC) is a Miami-based non-profit organization that fosters an appreciation and understanding of a vast assortment of arts and cultures through workshops, lectures, and artistic performances in local communities for individuals of all ages and social backgrounds.
For more information, please visit CommunityArtsandCulture.org.
ABOUT CAME and UF
The Center for Arts, Migration, and Entrepreneurship (CAME) at the University of Florida College of the Arts launched in the fall of 2020 and we work to connect networks of scholars, artists, creatives, entrepreneurs, and advocates to the engines of creative and cultural economics at the heart of migration.
CAME defines the arts as all forms of cultural production, the center seeks to effectively create new models and power alignments that return value entrepreneurship to cultural producers to build more just global futures. Through community-responsive programming, research, and creative production, the center facilitates and extends the innovation, resilience, and ingenuity of diasporic and migratory communities.
For more information, please visit arts.ufl.edu/came.
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